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Weaving as a way to expand creativity

1/21/2021

13 Comments

 
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"You can't do sketches enough. Sketch everything and keep your curiosity fresh." John Singer Sargent

What I do more than make hats & sew is work in my sketchbook. I have sketchbooks that go back to when I was eight years old. Some of them take years to fill, others were quickly finished during dull office jobs. They line the shelves of my library each one looking uniquely different from the other.
They became my unique treasures during college. It was a requirement in architecture school that we keep sketchbooks to show the progression of our design and to always have them when outdoors walking around so we could learn how to quickly sketch buildings. There was also one rule in school - show them to no one. That's right, how artist love to share and comment on their sketchbooks, we were told the opposite that they were a place of sanctuary - a place to make ugly mistakes without judgement.
The only hitch is that if a sketchbook doesn't have a lock on it like a diary, it will be looked at. My solution at the time was to get only sketchbooks that could fit into my purse. There is a unwritten code that we should never look into a woman's purse & that provided the sanctuary needed. Overtime, the purse turned into a bag that went with me when I wanted to sketch. Creativity spilled out and the bag/satchel would become part of the decorative cover of my sketchbook. Then I became so attached to that specific sketchbook being partnered to the bag that when I retired the book to my library, so did the bag.   
By now you can see where I'm leading to with a blog title of 'Weaving Story.' I have woven a couple of bags/purses/satchels to hold my sketchbooks. The most infamous one I made super quick was the Cookie Monster purse pictured. I've progressed on from the plain weave to the multitude of texturally enthralling weaves that I now share in my Woven Purse class. 
​Lets go over a few that I cover:
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The plain weave (also called the tabby weave) is a great way to start a sold weave & separate more complex weaves. Its the weaving equivalent to marching in place during aeorbics.
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This image provided by Fibers and Design show a combination of bubble weave with twinning.
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Hello Hydrangea provided an image of filled bubbles with rya loops.
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Mirrix Loom provided a good image of Pick and Pick aka vertical stripes because who doesn't like stripes?
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Soumak weave shown by A Pretty Fix is way of adding that X-dimension to your purses.
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An added bonus to the Soumak is that you can turn it into a fishtail braid.
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Telerama Weaving uses bold colours to show what you can do with Angle Weaving.
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How awesome is this?! The Weaving Loom provided a picture of Chevron Weave.
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Most of these weaves herald from Persian rugs. This top weave is thus called the Persian Weave image from Rustic Thread de Lola.
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To break all convention I like to add on Rya Loops show here from The Weaving Loom.
There is different avenues to learn how to tapestry weave. The one thing that I provide different from them is how to continuously weave to create a bag. If you are interested in creating a bag in a day with me. Click the link below to register to my in-person class coming up January 30th, 2021 at the Art Students League of Denver.
Register Now
13 Comments
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6/13/2025 08:12:04 am

I love how the author has incorporated weaving into their artistic practice.

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8/5/2025 01:17:53 am

This was such an inspiring read! I love how you shared weaving as a way to relax and explore creativity. It’s a beautiful reminder that art doesn’t have to be perfect, it just needs to be personal. Thanks for the thoughtful insight!

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3/7/2026 06:37:08 am

I really enjoyed reading this—it’s fascinating how a simple sketchbook can turn into such a personal archive of creativity and memories. The idea of sketchbooks being a “sanctuary” for mistakes really resonated with me. So many people think art has to be perfect, but those messy pages are often where the most interesting ideas begin.

I also love the connection you’ve made between sketchbooks and weaving. Turning the bag that carries your sketchbook into a creative project itself feels like a natural extension of the artistic process. It’s almost like the container for creativity becomes part of the story too.

The Cookie Monster purse made me smile—sometimes the most spontaneous projects end up becoming the most memorable ones. And the variety of weaving techniques you shared is really inspiring. Seeing how traditional methods like Persian weave or soumak can be adapted into modern pieces like bags makes the craft feel both historic and fresh at the same time.

Your approach makes creativity feel very alive and evolving, not something fixed or finished. It definitely makes me want to pick up a sketchbook (and maybe even try weaving!) just to see where the process leads.

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3/7/2026 06:37:53 am

This was a really enjoyable read. I love the idea of sketchbooks being a private creative space where mistakes are actually encouraged. That kind of freedom is often where the best ideas begin, because there’s no pressure for everything to look polished or finished.

The story about pairing each sketchbook with a specific bag is also really interesting. It almost turns each book into a time capsule—where the bag, the sketches, and the period of life they represent are all connected. That’s a really unique way of preserving creative history.

I also appreciate how you explained the different weaving techniques. Even for someone who isn’t familiar with weaving, the examples make it easy to see how much texture and personality each method can add. The combination of traditional weaving styles with something practical like a bag makes the craft feel both artistic and functional.

It’s inspiring to see how something as simple as carrying a sketchbook can evolve into a whole creative journey involving weaving, design, and storytelling.

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